Leads are great. They are the sugary surface of any good track. They get you in the door and perk you up. But we all know what that one special ingredient is The most important part of arranging and. It’s the soul of any good track: The BASS. But there’s thousands of free VSTs out there. Which ones are good for bass?
No sweat. We found all the best ones so you don’t have to dig. Here’s our 10 favourite free bass VST plugins that will give you bigger, better bass. Steinberg – Model E The is a useful 3 oscillator bass station capable of pumping out some nice lines. The super simple controls make all your options easy to see and tweak.
Plus the lower CPU usage means easy breezy basslines in no time. TAL – Elek7ro When it comes to free VSTs no one beats TAL. All their work great and are super useful. I’m a huge fan of their plugins and you should be too. The is no exception to their history of producing high quality tools.
This synth-plug is good for pretty much everything. Including making some nice full basses for your tracks. It even comes with a super for getting the most out of Elek7ro. Plogue – Sforzando TableWarp2 The is part of Plogue’s Sforzando bundle. It’s a versatile synth that gives you tons of classic sounds Including some superb mid-low range basses perfect for beefing up your tracks. NUsofting – Sinnah The is great. It can create cool noisy tones with its 3 channel delay matrix and feedback sculpting.
It also has a pretty solid onboard EQ which really helps bring out the magic in each tone. So you can get tons of control over the bass sounds you create.
TAL – Bassline I’ve already talked about the in an older article. But I had to put it on this list because it’s so good. The Bassline is basically built for better bass. This plug has a warm analog sound and ‘ robust core‘ for all your bass and acid needs. Plus, the TAL will have your walls rattling in no time. U-he – TyrellN6 U-he is another major source for some very superb free plugins. The is a powerful overall plugin that will give you all varieties of nice analog synth sounds.
That means wicked basses too. It also has some nice triggering features that are super fun to play around with and a nice, clean interface for easy tweakage.
The download page is in german. So if you don’t speak German just scroll down to find the download link! Ample Sound – Ample Bass P Lite II The is a nice electric bass plug perfect for some groovier and more rock-centric bass sounds. Ample Bass also comes with some nice ‘articulations’ including palm mute, slap and legato slide for those little accents that makes bass pop. LinPlug – FreeAlpha This plugin is the free version of LinPlug’s Alpha. But just because it’s the free version doesn’t mean it’s not good. In fact, it’s great!
‘s 2 oscillators are perfect for all sorts of nice basses and the built-in presets are superb starting points for all types of bass and more. Bruce Sutherland – JUCEoplvsti If you ever dreamed of making all those incredible sounds that lived on old DOS games then this plugin is your hot ticket. Is modelled on the Yamaha OPL sound chip found in some old PC computers.
Juce’s interface is a lot like a video game and is super easy to use to get some superb basses, leads and pretty much any other sound you need from an FM synth. Synister – Synister is one of the best looking and easiest to use synth plugins I’ve ever seen. This 3 oscillator synth is perfect for making all types of basslines.
The interface is simple, organized and easy to follow. The effects, envelopes, oscillators, LFOs and filters all have their own drop down menus for an easy workflow. And it even has a built in step sequencer! The bassline bottomline A good bassline can make or break a track. Finding the best one for your track can be tricky.
These bass VSTs will give you everything you need to find the right one (Hot tip: Turn your monitors way up while you’re experimenting if you wanna meet the neighbours). Put these in your, start experimenting and take a trip to the international bass station. If you’re already set for bass check out our other Free VST Plugin Favourites:.
Metro Boomin Synth Presets Add character to your beats with these exclusive FL Studio synth presets directly from hip hop's current reigning producer! Download Metro's personal collection of keys, leads, pads, & FX for use within Metro Boomin's DAW of choice FL Studio 12 and its Sytrus VST synth. The 22 year-old Atlanta beat-maker is widely recognized as the top producer in Atlanta's trap renaissance working with the likes of Future, Young Thug, 2 Chainz, YG, Rich Homie Quan, plus crafting ILoveMakonnen's #1 hit 'Tuesday.' Most recently, Metro Boomin's signature sounds were the foundation for the majority of Drake & Future's #1 album 'What A Time To Be Alive'.
If you’re looking for high-quality free VST plugins for Windows and Mac, this page is the right place for you. Most of these plugins run within the digital audio workstation (DAW), providing additional functionality. They have a custom graphical user interface (GUI) with controls copying physical knobs that we find on audio hardware. Some VST’s even emulate the characteristics and structure of well known or rare hardware equipment. The VST instruments produce audio, while the VST effect plugins will process audio data. In order to work, some VST effect plugins require MIDI.
There is much to say about them, but I will not cover this topic here. The free VST plugins archive at FLStudioMusic features a big selection of music production software tools. You find here hundreds of effect processors, such as, and more. But also VSTi/AU instruments such as synths, drum machines, sound modules (ROMplers), virtual emulations of analogue hardware, samplers and more.
From time to time, we also make lists with best plugins. An example is, offering our pick of the most useful drum machines. Or, with some of the best tools to get started into music production. But here you will also find software, basses, piano VSTi and more.
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FL Studio 11 is a complete software music production environment or DAW (Digital Audio Workstation) representing more than 14 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FL Studio 11 is the fastest way from your brain to your speakers. Notable New Features.
FL Studio 64 Bit features – Access up to 512 GB memory, depending on your. – 32 Bit bridged and 64 Bit native VST plugin support. – Project compatibility between 32 and 64 Bit versions. – FL Studio available as a 64 Bit VST plugin for use in 64 Bit VST hosts. Performance mode – Trigger Playlist Clips live using a mouse, touch screen, typing keyboard or MIDI controller. Supports APC20/40, Launchpad, Lemur, Block, Maschine/Mikro, padKONTROL, QuNeo, Traktor Kontrol (and more).
Multi-touch support – FL Studio and some plugins now respond to Multi-touch with Microsoft gesture functions supported. Playlist – 199 Playlist tracks, increased from 99. Linking includes MIDI input port – Links now remember the MIDI input port used to avoid conflict between controllers. Playlist & Piano roll – Horizontal & vertical movement locking. Shift is horizontal lock & Ctrl is vertical lock when dragging items.
Piano roll – Glue notes, Mouse wheel velocity, Monophonic step entry mode & Chop chords tool. Right-click data entry – Most controls now allow a Right-click option to type in values. Plugin Picker – Right-click to open a plugin and its presets in the Browser. Start typing plugin names to highlight entries. Mixer – Page Up/Down keyboard keys cycle through the current mixer track’s plugin windows.
Options – Play truncated notes in clips restores notes overlapping slice points in Pattern Clips. Click and hold functions.
GUI animation level now selectable from sober to entertaining. BassDrum – Deep Kick-Bass percussion synthesizer with sample layering. BassDrum was developed due to strong and loud customer demand for punchy kicks with a big bottom end. Our solution was to take a hybrid synthesis/sample route to provide unlimited customization for the perfect kick sound. GMS (Groove Machine Synth) – Multi-timbral hybrid synthesizer & FX channel lifted from Groove Machine.
Another plugin by popular demand. Effector – 12 performance oriented effects: Distortion, Lo-Fi bit reduction, Flanging, Phasing, Filter (low/high pass), Delay, Reverb, Stereo panning & binaural effect, Gating, Granulizer, Vocal formant and Ring modulation effects. Effector was introduced to compliment Performance Mode and is perfect for use with multi-touch displays & controllers. Patcher – Introduced with FL Studio 10 to provide a means of saving and recalling commonly used effects and plugin chains.
It’s in the new section as, aside from being overhauled with animated connections and a fresh interface, patcher has gained two, of many more to come, Voice Effects (VFX). VFX Key Mapper – Allows note inputs, live or from the Piano roll, to be transposed, keychanged, chorded or creatively remapped. VFX Color Mapper – Leverages FL Studio’s 16 Piano roll note colors that have traditionally mapped to MIDI channels. Now inside Patcher note colors can control 16 independent generators/instruments or groups of generators Get Demo Test all features & plugins for free.
MiniSynth is available for both FL Studio Mobile and FL Studio for PC, sharing identical program code. MiniSynth, great sounds made simple. MiniSynth has a low processor overhead designed with mobile CPU constraints in mind. That doesn’t mean MiniSynth is lacking in capability tho, just check the audio demos on this page. With 6 tabs, each holding just a few chunky controls, it’s perfect when working with a touch interface and keeps everything clearly laid out for new users learning subtractive synthesis. MiniSynth is included FREE with FL Studio (11.0.5 upwards) and is used when converting FL Studio Mobile projects to FL Studio format (FL Studio 11.0.5 not yet released). Even if you don’t use FL Studio Mobile, you will find MiniSynth a great addition to your library.
Introducing a powerful additive / subtractive synthesizer, image synthesizer as well as audio resynthesizer, Harmor. Additive / subtractive Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine.
Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. You don’t just select filter types, you draw them. You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts. Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently. Processing units can be rearranged in a semi-modular way.
If you need one of the 2 filter units processed after the blur unit, that’s no problem. Audio resynthesis Being an additive synthesizer, Harmor can resynthesize audio files as well. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.And of course, the result of the analysis can still be turned into an image for further editing. Efficient Additive synthesis is generally very CPU-consuming, but not Harmor’s engine.
Its efficency is in fact, comparable to that of subtractive synthesizers. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Processing being multi-threaded, extra CPU cores come in handy. System requirements 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM. 30Mb free disc space. DirectSound or ASIO compatible soundcard. Resynthesis or image-synthesis, Harmor features both.
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Import a piece of audio and time-stretch or pitch-shift it (with formant and transient preservation). Convert this to an image and edit each partial individually! Two parts Two independent parts (or “layers”) for even more complex sounds.
Parts can be imported from other presets. SFX In the effects section you will meet all the usual suspects: distortion, chorus, delay and reverb, as well as the mighty Soundgoodizer based on the Maximus engine. Just like processing units, effect slots can be re-ordered.
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Each part has its own effect mix amount. Looks pretty If you don’t understand it, visualize what it’s doing, best way to learn! Watch how each partial evolves in the built-in spectrogram, a picture is worth a thousand words. Opens all your sounds It loads and edits most of the existing sound formats³ out there (WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt.(nki), GIGA.(gig) & eMagic EXS24, ) and it can even sample your existing VSTi instruments. DirectWave Player is now included for free in all versions of FL Studio Attention: in the FL Studio demo you can switch between DirectWave Player and DirectWave full to test the program. System requirements 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM.
30Mb free disc space. DirectSound or ASIO compatible soundcard. Technical Specifications: 16 part multitimbral, 32-bit VSTi sampler 128 Voice Polyphony 128 programs unlimited zones per program All samplerates supported Realtime SINC-64 point interpolation (HQ Audiophile) Poly, Mono, Legato operation, with glide / auto mode. 2.24 dB 5 mode filters serial or parallel Flexible 16 slot freely assignable Modulation Matrix 2 mod.
ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs Automatable loop points, reverse loop points supported Loop modes: fwd, one-shot, sustained, bounce looping Automatable sample start offset (available as mod. Destination parameters) Built-in voice Insert FX with independent settings for each zone: ring mod.
Samplerate decimator, bitcrusher & phaser. Built-in send effects: chorus, reverb, delay (with filtered feedback, sync to host tempo). The Drumaxx percussion modelling instrument gives you total control over 16 physically modelled drum pads that can be routed to independent outputs for external effects processing. More than just drum samples. Great, but why should you care when the internet is awash with drum samples?
In two words, expressive control. Once a drum sound is recorded, the performance and modulation options are limited to filtering, volume, or similar 1-dimensional effects. When a single drum sample is triggered in a roll, you get the familiar ‘machine-gun’ effect and it just sounds mechanical. Multi-sampled, multi-layered drums can overcome this limitation but need multi-megabyte or even Gigabyte! Drum libraries. Even then, you are still limited to the sounds originally recorded.
Modelling algorithms for better sounds Drumaxx is not based on samples or even commonly used ‘synthesis’ techniques, where oscillators are mixed and the result is always ‘electronic’. Drumaxx uses modelling algorithms to create bass drums, hi-hats, snares, realistic and electronic sounds too.
But what about the traditional ‘Achilles’ heel’ of synthesis, cymbals? Drumaxx creates cymbals and metallic percussion also. System requirements PC: Windows 7, Vista, XP (SP2) – (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM.
30Mb free disc space. DirectSound or ASIO compatible soundcard.
Mac: OSX v10.4 (Universal Binary) G4 1.5 GHz or Intel Core Duo family. 30Mb free disc space. CoreAudio drivers.
Good physics stuff included At the core of Drumaxx is a model where the vibrating membrane is represented as a mesh of interconnected points. Each point is given physical properties including mass, inertia, stiffness, damping, and all that good physics stuff. For the musician, this means Drumaxx gives you control over multiple parameters such as material, thickness, tension and shape.
More importantly, the parameters can be modulated in real-time as a function of velocity or external controls. The drum body is also under user control too, including body material, size, vibration damping, and shape. All this gives you multi-dimensional performance options, a Matrix of variables providing nearly infinite possibilities. Key features: 16 Physically modelled drum pads Multi-output for individual effects processing on each pad Huge range of modelling possibilities covering sounds from cymbals to kettle-drums Velocity modulation matrix for detailed expressiveness Integrated Stepsequencer with trigger-key playback Integrated effects Single-pad version ‘Drumpad’ available for tight integration with FL Studio Content: 130 drumkits 900 drum patches 200 drum patterns. Made by DJ’s for DJ’s. DJ mixing application In developing Deckadance, we didn’t just bring in some consulting DJs to tell our software engineers what they wanted. Deckadance was written by DJs for DJs, so we are confident that it will take your DJing to the next level.
Of course, if you suck as a DJ, you will still suck using Deckadance, but you will suck better, faster, harder and more creatively than ever before VST hosting Support third-party VST. 8 slot VST host.
Host third-party VST plugins. Host VST effects / instruments. Unlimited VST flexibility and expandability System requirements PC: Windows 7, Vista, XP (SP2) Intel PIII 1 GHz or Althon XP 1.4 GHz. 200MB free hard disc space.
DirectSound or ASIO compatible soundcard. Mac: OSX v10.4 (Universal Binary) G4 1.5 GHz or Intel Core Duo family. 200MB free hard disc space. CoreAudio drivers. General: A decent graphic card will make Deckadance a lot more enjoyable. Minimum horizontal resolution of 1024 pixels. Deckadance version 1.94 Download Windows (XP & Vista) demo.
Download Mac OSX demo. Download the Getting Started Manual. You may need to right-click & use ‘Save as’ if you have Acrobat installed in your browser.
English GSM in PDF ( – ) in Word German GSM in PDF ( – ) in Word Spanish GSM in PDF ( – ) in Word Italian GSM in PDF ( – ) in Word French GSM in PDF ( – ) in Word Portugese GSM in PDF ( – ) in Word Dutch GSM in PDF ( – ) in Word Japanese GSM in PDF ( – ) in Word. Vocodex is simply one of the best sounding vocoders on the market today. Try the demo and hear why Vocodex is the last word in vocoding. ‘By your command’ and beyond What is Vocoding? You have heard vocoding many times, even if you don’t know what it is.
Vocoders are the classic robot voice from many sci-fi movies. Vocoders analyze the real-time frequency band activity of one sound, the Modulator, to control frequency band activity in another, the Carrier. A vocoder consists of a series of narrow-band frequency gates that allow through only those frequencies from the Carrier that are detected in the Modulator source. So if a human voice is used to vocode a synthesizer chord, it will sound like the synthesizer is talking.
Check the demo tracks above. System requirements Windows XP/Vista/7 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512 Mb RAM 130 Mb disk space Key features: Speech enhancement contouring of noise or modulator pass-through.
Modulator noise reduction to reduce ambient noise bleeding through carrier. Voice doubling and reverb capabilities. Built-in Soundgoodizer for limiting and warm output. Up to 100 bands individually locatable anywhere in the spectrum.
Band unison to create a fat & lush sound. Sidechain carrier & or modulator input. Inbuilt carrier synthesizer powered by Sytrus. & more per-band effects to discover. Ever wanted to synthesize a sound but found it was impossible? With Morphine, no sound is too painful to recreate.
Morphine is indeed a powerful pain killer! A Small Revolution Morphine is a powerful Additive Synthesizer with a logical, flexible architecture that allows you to create any sound. You can do this directly by adjusting harmonics manually or by taking any input sample and resynthesizing it into one of 4 independent voices.
Additive Synthesis has been considered one of the most desirable ways to emulate real instruments or to create new sounds. However, Additive Synthesis has proved both technically and conceptually difficult to implement, requiring expensive computational algorithms and hardware. Inside Morphine So what makes Morphine a revolution? We’ll tell you. Morphine’s 128 harmonic oscillator engine is fully optimized for producing a high quality, warm sound, with ground shaking bass and crystal clear high frequencies.
Based on complex, full 32 bit mathematics, with no internal sampling to avoid interpolation noises so Morphine retains that ‘analog’ quality. The oscillators are also optimized for fast amplitude and frequency modulation response for accurate tone reproduction. The oscillator engine is not only thing that makes Morphine sound so great. With an infinite number of harmonic snapshots ‘per-spectrum’, and the ability to map a unique spectra for each note, you can generate a realistic and balanced sound over the entire keyboard range. Additionally, the four generator sourcescan be morphed via the in-built mix/morph envelope or from an external MIDI controller.
Combined with the four independent multipoint modulation envelopes, assignable to many internal parameters, you can achieve any sound, just like you imagined it. As an ‘Easter-egg’ for the sound designers among you, Morphine provides unison and comb/pulse width filter modulation of the harmonics directly, adding even more motion to the sound. System requirements PC: Windows 7, Vista, XP (SP2) – (32 & 64 Bit) 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support 512Mb RAM. 100Mb free disc space.
DirectSound or ASIO compatible soundcard. Mac: OSX v10.4 (Universal Binary) G4 1.5 GHz or Intel Core Duo family.
100Mb free disc space. CoreAudio drivers. Sonic Flavor You’re a talented musician, full of great ideas, but you’re still skeptical, right? So, what sounds can Morphine really make?
Complex evolving pads, deep basses, acoustic instruments, synthetic leads and keyboards are all possible using the advanced resynthesis features and intuitive interface. However, musical creativity doesn’t guarantee you care about making your own sounds from scratch.
Good news here too, Morphine ships with 290 high-quality presets covering a vast range of music styles. But, you don’t have to take our word for it, download the demo and let your own ears be the judge. Key features: High quality sound engine optimized for low CPU usage and fast amplitude and frequency modulation response. 4 independent “ Generators” per voice Keyboard layering with 128 unique Keyboard Zones. Unlimited number of harmonic “ snapshots” (breakpoints) per spectrum.
Amplitude, Detune, Panning control for all harmonics. Filtering and Velocity response for each Generator source. Highly CPU optimized, accurate Resynthesis allowing emulation of audio samples with high precision. Manual override options for the resynthesis process to achieve most accurate emulations. Ability to import waveshapes from audio file. Variable-time control for spectra, mix/morph envelopes (can also be linked to key number, velocity or any other controller).
Autodesk inventor 2014 keygen crack generator. 4 PWM Filters (spectral emulation of comb filtering, unison or pulse-width) Additional generator that allows any Noise Sample audio file to be mixed with the synthesized sound, complete with filtering. Morphing path, morphs harmonics in real-time, controlled internally or from external modulation source/s. Morphing Square, mixes the 4 Generator sources with a single convenient interface. 4 multipoint (EG) envelopes can be routed to many internal Morphine controls 1 to 32 note polyphony, user selectable. ADSR master envelope Velocity response is adjustable. Up to 5 built-in simultaneous effects: Chorus, Delay, Reverb, Equalizer, Distortion. Attractive, user friendly interface, developed through 1000’s of man-hours testing and development.
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